Thursday, March 13, 2008

Old Town School Of Folk Is All About Community


Dennis Newman

March 11th, 2008

Melissa Mallinson radiates with pride when I ask what sets Lincoln Square’s Old Town School of Folk Music apart from other schools. “Well, it’s all about bringing people together to celebrate all the different art forms that are present within the city”. Though the Volunteer and Outreach Manager’s first breathlessly-worded sentence sums up the school’s mission, Mallinson has much more to add. She stresses the value of a diverse multicultural experience in the arts, and how Old Town does its best to impart that to as many people as they can.

This sense strong sense of community is immediately evident when walks through the doors of Old Town’s newer location: from the modern-art murals to the handwritten concert calendar on the wall, there’s an air of friend comfort here at Old Town. It is this location that serves as the school’s “home base”, in the 43,000 square-foot space that previously housed the Hild Library. The building was donated to them City of Chicago in September of 1998 in recognition of their dedication to servicing and celebrating Chicago’s broad diversity.


The schools sponsors and provides an enriching artistic experience in innumerable forms. Of these, the most immediate is its academic programs. Besides having lessons in more traditional forms of musical expression like guitar and piano, Old Town School of Folk Music also has instructional courses on whistling, tap-dancing, African Folk music, and a wide variety of other subjects, for both adults and children. Between its main Lincoln Avenue facility and its older branch on Armitage Avenue in Lincoln Park, the school provides lessons for its 6,600 students forty-eight weeks out of the year, making it the largest community-run indepedent arts school in the country. They have been able to forge communities within their students and staff, says Director of Education and Programs Robert Tenges over e-mail, and their educational offerings have helped them reach out to a wider array of audiences.

It’s not just the teaching that makes the school what it is, though. “It’s the way we bring the experience, the love of music, to people both in here at the school, and out there in their lives”, says Community Projects Director Mateo Mulcahy. Being able to share this experience with his community is something that’s very important to Mulcahy, who came to Old Town just recently after having owned a nightclub in St. Louis since 1999. “Chicago is largely a city of people who immigrated here, so it’s great to have a place that celebrates their music, and everyone can come out and enjoy it in such a warm atmosphere.” One of Mulcahy’s main duties is to organize the School’s weekly free in-house shows that showcase traditional forms of World music from Bulgarian to Sub-Saharan African. These shows are incredibly popular, often drawing capacity crowds to Old Town’s four hundred seat auditorium.

While Old Town School of Folk Music is renowned for the positive things it does within its own doors, their community outreach program is where they really shine. They have a program in which a group of their students go to University of Chicago Hospital and play their tunes for some of the younger patients. “We’re definitely looking to expand that”, Mallinson says, “we’re applying for grants so we can go to more nursing homes and hospices.”

One of the best things the School does for its community is also one of its least-publicized endeavors. A number of the faculty members have residencies at Chicago public schools, and they go in once a week to teach youngsters. They have tap-dancing, beat poetry, Latin percussion, and songwriting “workshops”. To Mallinson, this is an outstanding way for Old Town to help out its community: It’s expensive for schools to have full-time music teachers on staff With our grant funding, we’re in a position to bring that experience to the schools, and that’s incredibly valuable.”

Being a non-profit organization, Old Town must rely on grants and donations from its generous patrons. It’s clear that there are a great many people that value Old Town’s impact on the community, as many of their patrons have been involved in the School in some form or another for multiple generations. In addition monetary assistance, many people volunteer their time to help the school: in fact, they take on roughly four hundred volunteers annually. Mallinson, “our volunteers help us with anything from administrative duties to ushering at concerts, and their desire to give back makes our community run much smoother”. To show their appreciation, the school offers a sort of work-study program that allows their volunteers to earn points each time they volunteer, and these points can be applied toward payment for future lessons at the school. This sort of win-win system ensures that the school will be kept running smoothly while those in their community continue to value the School’s social contributions.

See Old Town's Volunteer application here.

Old Town's Promotional Video:


Additional Media Elements:
Video footage from World Music performances, open mics, in-school sessions.

Wednesday, February 27, 2008

Soft-Rockers The Skyline Drive Get Back Into Their Groove

February 20 2008

Dennis Newman

Getting back into old habits has been tough for burgeoning indie duo The Skyline Drive . Having grown accustomed to showcasing their bouncy pop tunes on a regular basis, vocalist/guitarist James Cruz feared they might have accrued some rust. It had been six months since their last performance as Cruz took the stage for a brief four-song (of which Stanley accompanied him on three) set to a crowd of nearly one hundred at DePaul University Open Mic Tuesday evening.

Photo Courtesy James Cruz, via Facebook.

Cruz and band mate Kate Stanley (piano/vocals), who he scooped up after she was kicked out of dance-rock upstarts Hefron last year, are both natives of northern suburb Mundelein, where they absorbed the magic of middle-class suburbia and honed their craft. Both are currently attending DePaul: Cruz is a Freshman Art History major, while Stanley is a Sophomore majoring in English.

Photo Courtesy Kate Stanley


Their influences range from Coldplay songwriter Chris Martin to Rilo Kiley’s Jenny Lewis, who Stanley lauds “for her honesty, and ability to place the listener right there with her in any situation”. In terms of lyrical source material, both members turn to everyday situations in their own lives: “If I’m pretty stoked about meeting a new girl, maybe I’ll write a song about it. It’s a pretty emotional process”, clarifies Cruz.

The pair has high hopes that attending DePaul will allow him to take advantage of Chicago’s vibrant music scene and broaden their horizons; however, their expectations for the band’s future remain grounded in reality. “We’re planning on recording some new songs as soon as we can”, Cruz says, “and we’ll send them out to record labels this summer. Maybe we’ll get signed and sell a million records, but probably not. If not, I still like to just have fun with it”.

At the Open Mic, the crowd has sat through a rapper, two stand-up comedians, and an amusing recreation of R. Kelly’s “Trapped in the Closet”, and they’re quickly becoming restless. When The Skyline Drive took the stage, however, the crowd’s mood instantly brightens. Kicking off with a cover of Angels & Airwaves’ “Everything’s Magic”, Cruz instantly took control of the crowd as he looped and layered acoustic guitar riffs.

For their next three songs, Cruz brought out Stanley, whose stylish keyboard flourishes add a shot of energy to Cruz’s melodious acoustic stylings. Despite minor technical imperfections, the seventy or so packed into the DePaul Student Center appreciated the effort.

After the show, a feeling of relief is evident in Cruz’s face. “I hadn’t been expecting quite so many people to show up; I mean, I haven’t played in a while, and to step up there in front of that kind of crowd was a little nerve-wracking. Once I got up there, though, I was fine”. Things weren’t always so easy for the young troubadour. He then described a show he played at the Congress Theater two years ago with his previous band Last Summer’s Heroes: “our guitarist had a couple strings break and we were forced to just half-ass it the rest of the show. And the quality of the mixing was just terrible; one guitar louder than the other, stuff like that”. Thankful to have gained experiences from his youthful failures, Cruz and Stanley are prepared to turn the corner on their musical avenue.

Media Attributes:

Photos of the Performance

Audio/Video of other Performances

Further information on Open Mics elsewhere in Chicago

Audio/Video of other DePaul Open Mic performances



Wednesday, February 20, 2008

Soft-rockers The Skyline Drive Get Back Into Their Groove

Getting back into old habits has been tough for burgeoning indie duo The Skyline Drive. Having grown accustomed to showcasing their bouncy pop tunes on a regular basis, vocalist/guitarist James Cruz feared they might be rusty as they took the stage for a brief four-song set at DePaul University Open Mic Tuesday evening.

Cruz and band mate Kate Stanley (piano/vocals), who he scooped up after she was kicked out of dance-rock upstarts Hefron last year, are both natives of northern suburb Mundelein, where they absorbed the magic of middle-class suburbia and honed their craft. Their influences range from Coldplay songwriter Chris Martin to Rilo Kiley’s Jenny Lewis, who Stanley lauds “for her honesty, and ability to place the listener right there with her in any situation”. In terms of lyrical source material, both members state that they turn to everyday situations in their own lives: “If I’m pretty stoked about meeting a new girl, maybe I’ll write a song about it. It’s a pretty emotional process”, clarifies Cruz.

The pair have high hopes that attending DePaul will allow him to taken advantage of Chicago’s vibrant music scene and broaden their horizons; however, their expectations for the band’s future remain grounded in reality. “We’re planning on recording some new songs as soon as we can”, Cruz says, “and we’ll send them out to record labels this summer. Maybe we’ll get signed and sell a million records, but probably not. If not, I still like to just have fun with it”.

At the Open Mic, the crowd has sat through a rapper, two stand-up comedians, and an amusing recreation of R. Kelly’s “Trapped in the Closet”, and they’re quickly becoming restless. When The Skyline Drive took the stage, however, the crowd’s mood instantly brightens. Kicking off with a cover of Angels & Airwaves’ “Everything’s Magic”, Cruz instantly took control of the crowd as he looped and layered acoustic guitar riffs.

For their next three songs, Cruz brought out fellow DePaul student Kate Stanley, whose stylish keyboard flourishes racheted up the sass factor. Despite minor technical imperfections, the seventy or so packed into the DePaul Student Center appreciated the effort.

After the show, a feeling of relief is evident in Cruz’s face. “I hadn’t been expecting quite so many people to show up; I mean, I haven’t played in a while, and to step up there in front of that kind of crowd was a little nerve-wracking. Once I got up there, though, I was fine”. Things weren’t always so easy for the young troubadour. He then described a show he played at the Congress Theater two years ago with his previous band Last Summer’s Heroes: “our guitarist had a couple strings break and we were forced to just half-ass it the rest of the show. And the quality of the mixing was just terrible; one guitar louder than the other, stuff like that”. Thankful to have gained experiences from his youthful failures, Cruz is ready to push forward towards new days.

Media Attributes:

Photos of the Performance

Audio/Video of other Performances

Further information on Open Mics elsewhere in Chicago

Audio/Video of other DePaul Open Mic performances

Sources:

James Cruz

JCruz16@students.depaul.edu

Kate Stanley

KStanley@students.depaul.edu